THE BEST JAZZ ALBUMS OF ALL TIME -

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The Best Jazz Albums Of All Time -

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The Best Jazz Albums Of All Time A Word Of Appreciation On the thread would be really nice & would keep the topic Alive. Cheers & Enjoy the Best old/new Jazz Music. List: 1. Miles Davis - Kind of Blue ( 1959 ) 2.John Coltrane - A Love Supreme ( 1964 ) 3.Charles Mingus - Mingus Ah Um (1959 ) 4.The Dave Brubeck Quartet - Time Out ( 1959 ) 5.Cannonball Adderley - Somethin' Else ( 1958 ) 6.Andrew Hill - Time Lines ( 2006 ) 7.Sonny Rollins - Saxophone Colossus ( 1956 ) 8.Diana Krall - Live in Paris [LIVE] ( 2002 ) 9.John Coltrane - Giant Steps ( 1959 ) 10.Herbie Hancock - Maiden Voyage ( 1965 ) 11.Thelonious Monk - Brilliant Corners ( 1956 ) 12.Art Blakey & the Jazz Messengers - Moanin' ( 1958 ) 13.Herbie Hancock - Maiden Voyage ( 1965 ) 14.Bill Evans Trio - Waltz for Debby ( 1961 ) 15.Louis Armstrong - 25 Greatest Hot Fives & Sevens ( 1995 ) 16.John Coltrane - Blue Train ( 1957 ) 17.Miles Davis - B1tches Brew ( 1969 ) 18.Ornette Coleman - The Shape of Jazz to Come ( 1959 ) 19.Stan Getz & Joao Gilberto - Getz/Gilberto ( 1963 ) To Be Added: Eric Dolphy - Out to Lunch! 1964 Keith Jarrett - The Koln Concert 1975 Wayne Shorter - Speak No Evil 1964 Lee Morgan - The Sidewinder 1963 1.Kind of Blue ( 1959 ) Miles Davis

Artist: Miles Davis Album: Kind of Blue Original Release Date: March 2, 1959 Number of Discs: 1 Label: Sony ASIN: B000002ADT BitRate: 192Kpbs Type: MP3 Size: 77.5 MB Amazon.com This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. Track List: 1. So What 2. Freddie Freeloader 3. Blue In Green 4. All Blues 5. Flamenco Sketches 6. Flamenco Sketches (alternate take)

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Password: dcs@warez-bb 2.A Love Supreme ( 1964 ) John Coltrane

Artist: John Coltrane Album: A Love Supreme Original Release Date: December 9, 1964 Number of Discs: 1 Label: Impulse Records ASIN: B0000A118M BitRate: 256Kpbs Type: MP3 Size: 60.5 MB Track List: 1. Pt. 1: Acknowledgement 2. Pt. 2: Resolution 3. Pt. 3: Pursuance/Pt. 4: Psalm Amazon.com A Love Supreme is a suite about redemption, a work of pure spirit and song, that encapsulates all the struggles and aspirations of the 1960s. Following hard on the heels of the lyrical, swinging Crescent, A Love Supreme heralded Coltrane's search for spiritual and musical freedom, as expressed through polyrhythms, modalities, and purely vertical forms that seemed strange to some jazz purists, but which captivated more adventurous listeners (and rock fellow travelers such as the Jimi Hendrix Experience, Cream, and the Byrds), while initiating a series of volatile, unruly prayer offerings, including Kulu Su Mama, Ascension, Om, Meditations, Expression, Interstellar Space. From the urgent speech-like timbre of his tenor, to the serpentine textures and earthy groove of Elvin Jones's drumming, Coltrane's suite proceeds with escalating intensity, conveying a hard-fought wisdom and a beckoning serenity in the prayer-like drones of "Psalm," where Jones rolls and rumbles like thunder as Garrison and Tyner toll away suggestively--all the while Coltrane searches for that one climactic note worthy of the love he wants to share. --Chip Stern

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Password: dcs@warez-bb 3.Mingus Ah Um ( 1959 ) Charles Mingus

Artist: Charles Mingus Album: Mingus Ah Um Original Release Date: February 16, 1959 Number of Discs: 1 Label: Sony ASIN: B00000I14Z BitRate: 320Kpbs Type: MP3 Size: 167.1 MB (02 links) Amazon.com Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of "Goodbye Porkpie Hat" (unedited here for the first time on CD!) rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's the funky furnace blast of "Boogie Stop Shuffle" (also unedited!), which reaches its glory with Booker Ervin's Texas tenor sax, wrapped tight in bluesy tone. With the index of emotions captured, these songs nail why Mingus is possibly the most relevant jazzer for the '90s generation. He swings and shouts and hollers and somersaults. His tunes either induce foot-stomping with their intensity or reach for poignant yearning with their lyrical tapestry of orchestral colors. --Andrew Bartlett

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Password: dcs@warez-bb 4.Time Out ( 1959 ) The Dave Brubeck Quartet

Artist: The Dave Brubeck Quartet Album: Time Out Original Release Date: June 25, 1959 Number of Discs: 1 Label: Sony ASIN: B000002AGN BitRate: 400Kpbs Type: MP3 Size: 53.8 MB Amazon.com Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman Track List: 1. Blue Rondo la Turk 2. Strange Meadow Lark 3. Take Five 4. Three To Get Ready 5. Kathy's Waltz 6. Everybody's Jumpin' 7. Pick Up Sticks

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Password: dc@warez-bb 5.Somethin' Else ( 1958 ) Cannonball Adderley

Artist: Cannonball Adderley Album: Somethin' Else Original Release Date: March 9, 1959 Number of Discs: 1 Label: Blue Note Records ASIN: B00000I41J BitRate: 400Kpbs Type: MP3 Size: 61.2 MB Amazon.com When alto saxophonist Cannonball Adderley culled together this quartet, he grabbed three champions from seemingly disparate schools to complement his flinty solos: Miles Davis, the king of cool; Art Blakey, the thundering force of hard bop; Hank Jones, a veteran of swing; and Sam Jones, a versatile bassist adaptable to nearly any setting. The results are one of Blue Note's most beloved albums. The open-ended beauty of "Autumn Leaves," which features Davis beautifully stating the melody on muted trumpet, sounds like it could easily be an outtake from Kind of Blue (which it isn't). The midtempo title track provides the centerpiece of this classic as Adderley echoes Miles's swaggering melody before both unravel wonderful solos. A must-have Blue Note album. --John Murph Track List: 1. Autumn Leaves 2. Love For Sale 3. Somethin' Else 4. One For Daddy-O 5. Dancing In The Dark 6. Alison's Uncle

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Password: dcs@warez-bb 6.Time Lines ( 2006 ) Andrew Hill

Artist: Andrew Hill Album: Time Lines Original Release Date: February 21, 2006 Number of Discs: 1 Label: Blue Note Records ASIN: B000E5LFEQ BitRate: 192Kpbs Type: MP3 Size: 91.6 MB Amazon.com Time Lines marks the return to Blue Note of one of the label's great originals, with Hill retaining the edgy intensity that marked such '60s masterpieces as Black Fire and Judgment. As pianist, composer, and bandleader, Hill has a special talent for creating structural tensions that stimulate fresh improvisations. You hear it in the title track as saxophonist Greg Tardy and trumpeter Charles Tolliver (another veteran of the 1960s) weave through Hill's minefield of compound rhythms and dissonant chords to make their own powerful statements. Tardy's mastery of clarinet and bass clarinet adds to Hill's rich palette of instrumental colors, while bassist John Hebert and drummer Eric McPherson contribute to the dynamic flow of polyrhythms. Whether it's the joyous playfulness of "Smooth," the taut and spiky "Ry Round 1," or the welling emotional depths of the solo piano version of "Malachi," every track bears the stamp of Hill's creativity and commitment. --Stuart Broomer Track List: 1. Malachi 2. Time Lines 3. Ry Round 1 4. For Emilio 5. Whitsuntide 6. Smooth 7. Ry Round 2 8. Malachi [Solo Piano Version]

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Password: dcs@warez-bb 7.Saxophone Colossus ( 1956 ) Sonny Rollins

Artist: Sonny Rollins Album: Saxophone Colossus Original Release Date: March 22, 1956 Number of Discs: 1 Label: Ojc ASIN: B000000YG5 BitRate: VBR Type: MP3 Size: 50.5 MB Amazon.com Though he lacked the improvisational fire of John Coltrane and the restless curiosity of Miles Davis, Sonny Rollins played with a rich, round tone that complimented his melodic inclinations, making him the most accessible of the post-bop musicians. Saxophone Colossus is the most successful of the late '50s albums that made his reputation. Rollins' playing never falters; he's backed by the redoubtable Max Roach on drums, Tommy Flannagan on piano, and Doug Watkins on bass. Rollins is equally at home with the lilting Caribbean air of "St. Thomas," standards ("You Don't Know What Love Is"), blues ("Strode Rode," featuring a driving Tommy Flannagan solo), and a smoldering version of Brecht-Weill's "Moritat" (better known as "Mac the Knife"). If you are new to jazz, there is no better place to start than Saxophone Colossus. --Steven Mirkin Track List: 1. St. Thomas 2. You Don't Know What Love Is 3. Strode Rode 4. Moritat 5. Blue 7

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8. Live in Paris ( 2002 ) Diana Krall Artist: Diana Krall Album: Live in Paris Original Release Date: October 1, 2002 Number of Discs: 1 Label: Umvd Labels ASIN: B00006J9OT BitRate: 128kpbs Type: MP3 Size: 56 MB Amazon.com Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Here with You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just the Way You Are" (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr. Track List: 1. I Love Being Here With You 2. Let's Fall In Love 3. Deed I Do 4. The Look Of Love 5. East Of The Sun (West Of The Moon) 6. I've Got You Under My Skin 7. Devil May Care 8. Maybe You'll Be There 9. 'S Wonderful 10. A Case Of You 11. Just The Way You Are 12. Charmed Life

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9. Giant Steps ( 1959 ) John Coltrane Artist: John Coltrane Album: Giant Steps Original Release Date: April 1, 1959 Number of Discs: 1 Label: Atlantic / Wea ASIN: B000003489 BitRate: 192kpbs Type: MP3 Size: 91.2 MB Amazon.com Released in January 1960, John Coltrane's first album devoted entirely to his own compositions confirmed his towering command of tenor saxophone and his emerging power as a composer. Apprenticeships with Dizzy, Miles, and Monk had helped focus his furious, expansive solos, and his stamina and underlying sense of harmonic adventure brought Coltrane, at 33, to a new cusp--the polytonal "sheets of sound" that distinguished his marathon solos were offset by interludes of subtle, concise lyricism, embodied here in the tender "Naima." That classic ballad is a calm refuge from the ecstatic, high-speed runs that spark the set's up-tempo climaxes, which begin with the opening title song, itself a cornerstone of modern jazz composition. This exemplary reissue benefits from eight alternate takes of the original album's seven stellar tracks, excellent remastering of the original tapes, and an expanded annotation. --Sam Sutherland Track List: 1. Giant Steps (LP Version) 2. Cousin Mary (LP Version) 3. Countdown (LP Version) 4. Spiral (LP Version) 5. Syeeda's Song Flute (LP Version) 6. Naima (LP Version) 7. Mr. P.C. (LP Version) 8. Giant Steps (Alternate Version, Take 1, Incomplete) 9. Naima (Alternate Version, Take 1, Incomplete) 10. Cousin Mary (Alternate Take) 11. Countdown (LP Version) 12. Syeeda's Song Flute

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Password: dcs@warez-bb 10.Maiden Voyage ( 1965 ) Herbie Hancock Artist: Herbie Hancock Album: Maiden Voyage Original Release Date: May 1965 Number of Discs: 1 Label: Blue Note Records ASIN: B00000IL29 BitRate: 192kpbs Type: MP3 Size: 59 MB Amazon.com In the mid-'60s, a distinctive postbop style evolved among the younger musicians associated with Blue Note, a new synthesis that managed to blend the cool spaciousness of Miles Davis's modal period, some of the fire of Art Blakey's Jazz Messengers, and touches of the avant-garde's group interaction. Maiden Voyage is a masterpiece of the school, with Hancock's enduring compositions like "Maiden Voyage" and "Dolphin Dance" mingling creative tension and calm repose with strong melodies and airy, suspended harmonies that give form to his evocative sea imagery. Trumpeter Freddie Hubbard was at a creative peak, stretching his extraordinary technique to the limits in search of a Coltrane-like fluency on the heated "Eye of the Storm," while the underrated tenor saxophonist George Coleman adds a developed lyricism to the session. --Stuart Broomer Track List: 1. Maiden Voyage 2. Eye of the Hurricane 3. Little One 4. Survival of the Fittest 5. Dolphin Dance

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password: dcs@warez-bb 11.Brilliant Corners ( 1956 ) Thelonious Monk Artist: Thelonious Monk Album: Brilliant Corners Original Release Date: December 17, 1956 Number of Discs: 1 Label: Ojc ASIN: B000000Y1H BitRate: 192kpbs Type: MP3 Size: 66.6 MB Amazon.com Few composers or improvisers can match the originality of pianist Thelonious Monk. Quirky yet rigorously logical, Monk's playful but always purposeful choice of skewed melodies and interrupted rhythm patterns gave the bebop movement, and jazz in total, a new sound that was totally modern. Although he created a surprisingly limited body of compositions, his impact on the vocabulary and canon of jazz is second to none, including such prolific giants as Duke Ellington. Brilliant Corners is a triumph of both performance and conception: the two small-group sessions, anchored by Monk, drummer Max Roach, and the bass work of either Oscar Pettiford or Paul Chambers, feature superb front-line performances by saxophonists Sonny Rollins and the tragically under-recorded Ernie Henry, as well as trumpeter Clark Terry. The title track, which centers the collection, is one of Monk's most unconventional pieces, skirting whole-tone, chromatic and Lydian scales; a version of "Pannonica" finds Monk doubling on celeste, while the band stretches out on "Bemsha Swing" and the blues "Ba-lue Bolivar Ba-lues-are." --Fred Goodman Track List: 1. Brilliant Corners 2. Ba-Lue Bolivar Ba-Lues-Are 3. Pannonica 4. I Surrender, Dear 5. Bemsha Swing 6. Lively Up Yourself

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Password: dcs@warez-bb 12. Moanin' ( 1958 ) Art Blakey & the Jazz Messengers Artist: Art Blakey & the Jazz Messengers Album: Moanin Original Release Date: October 30, 1958 Number of Discs: 1 Label: Blue Note Records BitRate: 320kpbs Type: MP3 Size: 113 MB Amazon.com This is truly one of the great classics of hard bop, with drummer Art Blakey leading arguably his greatest Jazz Messengers lineup through a driving program that never lets up. Tenor saxophonist Benny Golson (whose composition "Along Came Betty" is heard here, subsequently becoming a jazz classic), brilliant trumpeter Lee Morgan, and funky pianist Bobby Timmons (who wrote the hit title cut) each take some of the best solos of their great careers, and Blakey was never greater. No jazz record collection should be without this disc. It remains one of the premier items in Blue Note's catalog, and rightfully so. As part of Blue Note's 1999 60th anniversary celebration, original session producer Rudy Van Gelder's done a smash job remixing Moanin', adding warmth in the low end and far greater color across the spectrum. And the booklet opens like a gatefold LP with vintage black-and-white photos of the original session. --Skip Heller Track List: 1. Moanin' 2.Moanin' [Alternate Take] 3. Are You Real 4. Along Came Betty 5. Drum Thunder Suite: First Theme: Drum Thunder/Second Theme: Cry a Blue 6. Blues March 7. Come Rain or Come Shine

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Password: dcs@warez-bb 13.Maiden Voyage ( 1965 ) Herbie Hancock Artist: Herbie Hancock Album: Maiden Voyage Original Release Date: May 1965 Number of Discs: 1 Label: Blue Note Records BitRate: 192Kpbs Type: MP3 Size: 58 MB Amazon.com In the mid-'60s, a distinctive postbop style evolved among the younger musicians associated with Blue Note, a new synthesis that managed to blend the cool spaciousness of Miles Davis's modal period, some of the fire of Art Blakey's Jazz Messengers, and touches of the avant-garde's group interaction. Maiden Voyage is a masterpiece of the school, with Hancock's enduring compositions like "Maiden Voyage" and "Dolphin Dance" mingling creative tension and calm repose with strong melodies and airy, suspended harmonies that give form to his evocative sea imagery. Trumpeter Freddie Hubbard was at a creative peak, stretching his extraordinary technique to the limits in search of a Coltrane-like fluency on the heated "Eye of the Storm," while the underrated tenor saxophonist George Coleman adds a developed lyricism to the session. --Stuart Broomer Track List: 1. Maiden Voyage 2. The Eye Of The Hurricane 3. Little One 4. Survival Of The Fittest 5. Dolphin Dance

http://rapidshare.com/files/209872075/Herbie_Hancock_-_Maiden_Voyage.rar

Password: dcs@warez-bb 14.Waltz for Debby ( 1961 ) Bill Evans Trio Artist: Bill Evans Trio Album: Waltz for Debby Original Release Date:1961 Number of Discs: 1 Label: Analogue Productions BitRate: 192Kpbs Type: MP4 Size: 60.7 MB Track List: 1. My Foolish Heart 2. Waltz for Debby (Take 2 ) 3.Waltz for Debby (Take 1 ) 4. Detour Ahead ( Take 1 ) 5. Detour Ahead ( Take 1 ) 6. My Romance ( Take 1 ) 7 My Romance ( Take 2 ) 8. Some Other Time 9. Milestones 10. Porgy

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Password: dcs@warez-bb 15.25 Greatest Hot Fives & Sevens ( 1995 ) Louis Armstrong Artist: Louis Armstrong Album: 25 Greatest Hot Fives & Sevens Original Release Date
ctober 16, 1995 Number of Discs: 1 Label: Asv Living Era BitRate: 192Kpbs Type: MP3 Size: 94.9 MB Amazon.com This collection bulges with the hottest and most dazzling jazz of the 1920s, with Armstrong dragging his lesser colleagues along with him in a whirlwind of inspiration. How a young man from the rugged and unbending background of downtown New Orleans could learn to play such sophisticated, sure-footed magic will never be known. He pops up to astonish on the 1926 tracks with classic ideas already spouting from his horn. Over the next three years, he would metamorphose into the sublime creator of the trumpet solo on the last track, "Tight Like This," one of the most dramatic and enchanting solos in the whole of jazz. Before that are fresh-as-a-daisy cornet acrobatics, as found on "Potato Head Blues" and "Struttin' with Some Barbecue." There's more exquisite playing on "Savoy Blues," where Lonnie Johnson adds some eloquent guitar. And then there's "West End Blues," the trumpet classic par excellence that brings in pianist Earl Hines, already a decade ahead of his time and one of the most potent influences on Armstrong. This is a thoroughly enjoyable history lesson. --Steve Voce 1. Heebie Jeebies 2. Cornet Chop Suey 3. Muskrat Ramble 4. Jazz Lips 5. Skid - Dat - De - Dat 6. Big Butter Egg Man 7. Willie The Weeper 8. Wild Man Blues 9. Alligator Crawl 10. Potato Head Blues 11. Melancholy Blues 12. Weary Blues 13. Struttin' With Some Barbecue 14. Once In A While 15. I'm Not Rough 16. Hotter Than That 17. Savoy Blues 18. Skip The Gutter 19. West End Blues 20. Basin Street Blues 21.Beau Koo Jack 22.Weather Bird 23.Muggles 24.St, James Infirmary 25.Tight Like This

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Password: dcs@warez-bb 16.Blue Train ( 1957 ) John Coltrane Artist: John Coltrane Album: Blue Train Original Release Date
eptember 15, 1957 Number of Discs: 1 Label: Blue Note Japan BitRate: 192Kpbs Type: MP3 Size: 57.8 MB Amazon.com The tenor sax giant had signed with another label when he embarked on this one-off date for Blue Note, an excursion that paid off with an enduring modern jazz masterpiece. Boasting volley after volley of smart soloing and intuitively swinging rhythm work, Blue Train is a joy, from the coolly precise ensemble entry on the opening title piece through the set's balance of elegant hard bop conversations and smooth downshifts into ballads. John Coltrane wrote four originals for the date, all of them now regarded as standards, and assembled a rhythm section including pianist Kenny Drew, Miles Davis's rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, and trumpeter Lee Morgan and trombonist Curtis Fuller, both recent Blue Note recruits. Coltrane's signature sound, now fully developed but still hewing more to familiar blues and chromatic harmonies than his later modalities, is confident and expansive, and his partners respond vividly throughout. --Sam Sutherland Track List: 1. Blue Train 2. Moment's Notice 3. Locomotion 4. I'm Old Fashioned 5. Lazy Bird

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Password: dcs@warez-bb 17.B1tches Brew ( 1969 ) Miles Davis Artist: Miles Davis Album: B1tches Brew Original Release Date:August 19, 1969 Number of Discs: 1 Label: Sony / Bmg Japan BitRate: VBR Type: MP3 Size: 160.1 MB Amazon.com Brew was a shot across the bow of jazz insularity, and, much like the Beatles' Sgt. Pepper before it, it drew upon elements both inside and outside the mainstream to fashion an avant-garde, yet extremely influential, take on popular music's relation to modernism, and vice versa. As such, Miles Davis became a lightning rod for jazz's transformation (or corruption as some diehards insist), and by mixing the fundamental elements of collective improvisation with fulminating dance rhythms, psychedelic electric textures, polytonal harmonies and a freely inflected brand of blues phrasing (as reflected in his own Kind of Blue-brand of modalism and the parallel directions of Hendrix, Cream, Sly Stone, James Brown, and Marvin Gaye), Davis signaled a sea-change in jazz. However, producer Teo Macero's spooky, compressed mix tends to suck all the air out of the room, emphasizing the often static nature of Harvey Brooks's bedrock Fender bass heartbeats, while obscuring the complex polytonal/polyrhythmic web of volatile harmonies, colliding cross-rhythms and contrasting melodic lines. Brew is a modern jazz masterpiece screaming for a critical reassessment (and a re-mix), but nothing can obscure the crafty tension and release of Davis's turn over a "Sex Machine"-styled ostinato on "Spanish Key," nor the spatial collective "&mysterioso" and epic breadth of the title tune. --Chip Stern Disc: 1 1. Pharaoh's Dance 2. Brew Disc: 2 1. Spanish Key 2. John McLaughlin 3. Miles Runs the Voodoo Down 4. Sanctuary 5. Feio [*]

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Password: dcs@warez-bb 18.The Shape of Jazz to Come ( 1959 ) Ornette Coleman Artist: Ornette Coleman Album: The Shape of Jazz to Come Original Release Date:February 20, 1961 Number of Discs: 1 Label: Analogue Productions BitRate: 128Kpbs Type: MP3 Size: 44 MB Amazon.com On this highly influential 1959 album, Ornette Coleman's unique writing style and idiosyncratic solo language forever changed the jazz landscape. On classics such as "Lonely Woman," "Congeniality," and "Focus on Sanity," Coleman used the tunes' moods and melodic contours, rather than their chords, as a basis for his improvisations. In so doing, he opened up jazz soloing immensely and ushered in new freedoms--both individually and collectively. Lest these innovations sound too dry or abstract, it must be noted that both Coleman and trumpeter Don Cherry play with a deep-felt emotion and joy that is as infectious today as it was then. This is truly an essential jazz recording, marking the end of one era, providing the blueprint for the next. --Wally Shoup Track List: 1. Lonely Woman 2. Eventually 3. Peace 4. Focus on Sanity 5. Congeniality 6. Chronology 7. Monk and the Nun [*] 8. Just for You [*]

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Password: dcs@warez-bb 19.Getz/Gilberto ( 1963 ) Stan Getz & Joao Gilberto Artist: Stan Getz & Joao Gilberto Album: Getz/Gilberto Original Release Date:March 18, 1963 BitRate: 256Kpbs Type: MP3 Size: 62.6 MB Amazon.com Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist Jo o Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit "Girl from Ipanema" (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also "Corcovado" ("Quiet Night")--an instant standard, and the definitive version of "Desafinado." Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's "cool" aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez Track List: 1. Girl from Ipanema 2. Doralice 3. P'ra Machucar Meu Coracao 4. Desafinado 5. Corcovado 6. So Danco Samba 7. O Grande Amor 8. Vivo Sonhando

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